Authentic Belly Dancing Entertainment and Academy

Blog #14: Zeyna goes to Chicago

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Love ruins a lot of things. When your hormones kick in your brain quits. Alas, I fell in love and left for Minnesota. Needless to say, they are a lot of stories between what I write here, so I went home to Mama and reflected a lot on what I had learned. New York was music, dance, costuming & cultures. Puerto Rico was real entertainment, costumes, makeup, public relations.

Still, looking back I have to reference a few personal opinions. I worked with many, many musicians and some absolutely excellent but for me during those years the best Oud player that I personally worked with that was helpful and kind and always kept my back was Dicky Barsamian. He is still working in New York and is on you tube and has some CD’s. His Cd (The Dick Barsamian Trio). Live at the Tripple Inn has the best “Karsilama” I ever heard. The taxim is incredible.

Another favorite musician is Sudan (or Souren) Baronian. An Armenian born in New Jersey that plays sax and clarinet or anything else he can put his lips to, A jazz lover that plays Mid Eastern rhythms to jazz. He is also on you tube. My favorite CD is (Taxim-It’s about time) Try dancing on it!

I called a talent agency and went on the road mostly around Wisconsin and Illinois working week-ends here and there that had night club acts. The pay was very good especially for those years, 2 nights, $200. I ended up finally in Chicago. I worked every club there at the time and had the honor of working with “Dahlena” and “Iklas ” (Iklas was a phenomenal
entertainer and the first dancer I saw using a cape. Iklas used (rock glasses, not shot glasses) during her act and —–When I started teaching Neenah, I told her I would teach her from my memories. Some things I couldn’t personally do, but I could explain and get her to do them. This is how we came up with the shot glass idea!). “Dahlena” and “Iklas” were the only 2 dancers that had impressed me since I left New York and both of them were beautiful ladies on and off stage.

Blog #12: Zeyna goes to Cleveland

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Greek nightclubs were popping up all over the country and experienced dancers were in demand. John Angelou told me they needed a dancer in Cleveland and they were paying $40 dollars a night. A lot of dancers from the Ave. started coming back and forth from other cities and I thought I’d give it a shot.

“The Forty Thieves” was the first club I worked. Funny, I was in Cleveland but the club was on Detroit Ave. Karma? Fate? Who was the star there? OZEL TURKBAS! The very first dancer I had ever seen and she was so nice and pleasant to work with and a true pro. They did not have a drummer and she loved solo’s so thanks to Sabah and my experience’s in New York I was able to play for her show and give her a half ass ed solo. I then moved to the “Grecian Gardens” where I found out that I had to be a member of AGVA, American Guild of Variety Artists or, I could not work there, I joined. From there I went to “The Athenian”. When that job finished I got another offer to work another supper club called “Mr. Grapevines” but they were not AGVA. I needed the work, AGVA came in and told me I would be black balled if I took one step on the stage, I was black balled. After that I worked a number of American clubs, “The Red Carpet Inn” “The Thunderbird Lounge” and a few other places. Ever hear the expression “Break A Leg?” That comes from AGVA, because it was the only thing they paid for. They still exist!

One morning I got a call from Eddy Kochak. He wanted to know if I was available to work in Puerto Rico, the pay was $50 a night, free room in the hotel and half off anything I ate or drank. I was packed and on the next plane. A year in Cleveland
was enough. In this article they spelled Ozel and Zeyna wrong but hey, it was the
first time I was “in the news”

Blog #11: Zeyna’s last Blog for New York. Now off to Cleveland. Blogs for Cleveland Coming Soon!!

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Before I leave my story and move on to Cleveland, I have to give note to another dancer that I worked with on 8th Ave. before and during my time there. Yildiz and I were friends and probably the sweetest of them all and a strong dancer.

Afet was Turkish and before my time. I knew many more but this story would never end.

Blog # 10: Zeyna Meets Zoraida!! The Explosive Latin Fireball!!!

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Zoraida I guess is probably my fondest memory from those years. Very infrequently Buckus “owner of the Britania” would let us come off stage and talk to someone we knew at the bar but always on alert for anyone from the Cabaret Licensing Board. This one night Kazar came in and said, Hey Gyps, you should see the “faukin” (New York common slang) dancer up in the Egyptian Gardens. She’s hot shit and her “faukin” zills (finger cymbals) are “faukin” dynamite. She’s up there with those “faukin” Turkish witches and kickin ass. Too funny! Well he was right, she kicked ass. Exotic & Powerful with “faukin” zills stronger then I had ever heard, with her own individual style. Talk about dancing to your own beat! She was born in Puerto Rico with Aztec origins, raised in New York. She had that FLAMINGO FLARE oozing from every PASSIONATE-EXOTIC pore in her body. A new concept for me, her dancing had passion. She was the first & only dancer that I could FEEL her raw passion. She was an orchid among roses.

Blog #9 Journey with Zeyna: Jemela Omar at the Round Table in New York on the East Side on 50th

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There was a club “on the east side on 50th.” called The Round Table. I heard Morocco was dancing
there and wanted to see her. The club was very up scale, valet parking etc. Alright, I
saved some money and went. What ever———I walked out of there and felt like going
home and shooting myself. I had a great ear and sense of rhythm, no formal dance
back round, but I did pride myself on being a great gymnast. Jemela was introduced not
Morocco, I cannot remember anything after that, she blew my mind and confidence. Again!

Think about doing a back bend undulating all the way down, then kneeling on one leg, the
other extended, in a back bend and pivoting at the same time. GEEZZ! Do you have any idea what power that takes? I honestly do not remember if Morocco was there that night or not.

Jemela was classy, powerful powerful powerful. A lot of Ballet training and put my
gymnastic abilities under the carpet. What a woman, what a entertainer, such class.
She danced in Beirut, Lebanon and on Broadway in N.Y. She also traveled with the
Broadway show Zorba the Greek. She is a legion personified.

We are still friends and she is still absolutely powerfully beautiful.