Even though I had worked my first Arabic Club with “Iklas” in Chicago, I was not use to an all Arabic band. Detroit would change that. It was certainly different from the Greeks, Armenians and Turkish that I was accustomed to. I always had a great sense of timing, a natural “beat” It was easy to feel and pick up. This kind of music allowed me to grow and again watching how the dancers there interpreted it. It was still cabaret, but not. The dancers used the same kind of costuming as in New York but the ambiance was completely different and of course the culture. I was a quick study. Although I didn’t think I could be impressed any more, I was wrong. The two best dancers in my opinion at that time, in Detroit, and still are the amazing “SHEBA” and “NOORA.” Since that time when schools started popping up they were giving names to certain movements. “The Choo Choo?” Like a train. Anyway, if you are in the business you know the movement. Let me tell you, Sheba had that down pat and was doing it back in the 60’s and the only dancer I had ever see do it ever, not even in New York. And she did as easy as we walk. She also had unbelievable stomach muscle control making half her stomach roll up separately and then down the other side simultaneously. Bitch, I love her! She was glamorous, refined, beautiful and a classic with a heart of gold. Noora, ahh, Noora did the best Belady on the face of the earth. Some movements cannot be duplicated. Some styles stand by them self. Noora on Belady was the instrument, the music. Belady and Noora are one composition. She out-shined the music. To watch her dance Belady was hearing the song for the first time. My two beloved life time friends. Unfortunately I have no pictures of Sheba, only a old video and a oil painting that Noora did of her that I will share.
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